One day, the
woodsman finds a frail young woman in the forest who has no memory of anything--even her name. Her only possessions are the dress she is wearing and a plain comb the color of her long hair. While the woodsman takes care of her, they
fall in love and get married; Aurea is born to them some time later. When Aurea is a five, another woman visits
the cottage. She asks for room in board. In exchange, she will cook for them. Aurea only receives watered down porridge. The couple, on the other hand, enjoy delicious
meals which are meant to distract them from their new cook’s real purpose. She is sorceress, looking for a charm she
believes is nearby. Soon after, the mother becomes
deathly ill, so she calls Aurea to her.
She bequeaths her the russet comb she came to the cottage with. Aurea is told the comb belonged to her
grandmother and will watch over her.
After the
wife’s death, the sorceresses casts a spell on the woodsman to attempt to learn
the charm. When he reveals nothing, she
discards him. Now, only two remain—the enchantress
and the child. Believing the child must
own the charm, the sorceress tries to woo her with her good food and feigned kindness. Aurea does not trust her
though. She instead retreats to the
forest where she is surrounded by creature that comfort her as she combs
their hair with her beloved comb.
Realizing the comb is the charm, the sorceress works to get it from
her. Aurea refuses.
The
sorceress drags her deep in the forest and puts a sleeping charm on her, hoping
she will die of starvation. The animals all
gather round to comfort her, and with the use of the comb, they build a protective
gate around her. When the sorceress
returns, she finds that everything nearby has turned to gold. Instead of a child lying there, it is now a
young woman. Forgetting about her original goal, she begins
to cut the gold strands for herself. A
loud roar resonates from the other side of the gate and the cut strands bind
the sorceress.
After being
awoken, the young woman walks over and opens the gate. Her animal friends transform into huntsman. Thinking
she will be rescued, the sorceress commands them to kill the beast. Instead, they do not move. The young woman walks up to the beast and begins to
comb his hair with her comb, causing both of them to be transformed—the beast
into a man (the king) and the young woman back to the girl Aurea. The
comb allows them to realize that Aurea is his granddaughter. The king is overjoyed to have found her. The sorceress receives her just “reward.”
This original, modern fairy tale is an interesting combination of Snow White, Sleeping Beauty, and another tale
I once read about a huntsman in the woods. The soft watercolor illustrations (by Jane Dyer) in are lovely. They capture the setting beautifully and compliment the text exquisitely. What continues to stand out to me in fairy tales is that a vulnerable
child is trapped and destitute. So many
fairy tales depict these children overpowering the oppressive forces and people to be
reconciled with those they love and to live in the safety (usually in a castle).
If you think about it, isn’t that what
most movies and stories are at their barest form. Fairy tales are a window into the psyches of
humanity—in particularly children but generally all humans. Children today still need that reassurances—Mom
and dad will always be there for you.
You can overcome adversity. You
can fight to get free if someone tries to take you (at least I always told my
children this). I highly
recommend The Girl and the Golden Bower for ages 5 and up.
For teaching and extensive ideas with fairy tales, visit my Fairy Tale Teaching Ideas board on Pinterest.
For teaching and extensive ideas with fairy tales, visit my Fairy Tale Teaching Ideas board on Pinterest.
This sounds amazing! I adore Jane Yolen, so I may have to make a library dash for this one. Thanks for the rec!
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